In her delightfully cheeky Verizon Super Bowl commercial, Beyoncé swore to do one thing: Break the internet. As the commercial demonstrated, she could notâat least not in the literal sense. Instead, after the commercial ended, she did something else: She hacked the internet, dropping two new songs, âTexas Hold âEmâ and â16 Carriages,â the former of which is already on its way to becoming TikTokâs viral dance song of the year.
This was always going to happen. Pretty much everything Beyoncé doesâevery album drop, every outfitâgoes viral. Thatâs why her Verizon commercial didnât look like a shallow attempt to astroturf hype. Moreover, âTexas Hold âEmâ is a big pop-country crossover track, and its rapid banjo riffs (from maestro Rhiannon Giddens) and lyrics about whiskey and taking it to the floor are perfect for line dancing. Line dances, which lend themselves to fun mimicry and interpretation, naturally do well on social platforms. It would have been weirder if TikTok hadnât been flooded with new dances in the week after the song dropped. (If youâre looking for the video that best exemplifies this trend, check out this chart-topper from performers Matt McCall and Dexter Mayfield and then just follow the sound on down, down, down.)
Inevitability, though, isnât the whole reason âTexas Hold âEmâ is currently the backing track to nearly 134,000 videos with millions of collective views. The song is boot-scootinâ its way onto TikTok at a time when a lot of music has been muted on the platform following a dustup between TikTok and Universal Music Group.
Back in January, after the two companies failed to come to terms on a licensing agreement for UMG music, the massive record company pulled songs that it owns the rights to from TikTok, including cuts from artists like Taylor Swift and Billie Eilish. That means any video using music from those artists now plays without sound. Beyoncéâs music is distributed by Columbia/Sony, a UMG rival, so âTexas Hold âEmâ now sits at Number 5 on TikTokâs Viral 50 list.
Now, like a shiny holographic disco horse, Beyoncé is atop the social web. When she announced her new album, Act II, and dropped âTexas Hold âEmâ and â16 Carriages,â the internet was in a tizzy about the fact that Beyoncé was making what appeared to be a whole country album, a continuation of the country-infused âDaddy Lessonsâ from 2016âs Lemonade. (âShe coming to put the cunt in country!!â went the replies on the @BeyLegion X account. ââDaddy Lessonsâ reloaded!â went another.)
On Tuesday, âTexas Hold âEmâ made Beyoncé the first Black woman to debut at number one on Billboardâs Hot Country Songs chart. The song has currently been streamed nearly 20 million times.
TikTok sounds donât count toward Billboard chart rankings, but there is no doubt that viral dances create the kind of hype that leads to song streams, album sales, and radio play. Beyoncé has no control over the TikTok/UMG situation (probably), and she had no way of knowing whether their licensing dispute would still be ongoing when her new music dropped (again, probably), but its existence has paved the way for her new song to be one of the biggest things happening with music on the platform right now. No doubt it wouldâve hit these heights regardless, but with less competition, thereâs nothing holding it back.
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