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Mind-Blowing Twist: Hipgnosis Shakes the Music World with Strategic Review – Voting is Key!




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Introduction

Welcome to the Publisher’s Digest, a weekly newsletter that brings you the latest stories curated by Roula Khalaf, editor of the Financial Times (FT). In this edition, we delve into the strategic review launched by Hipgnosis Songs Fund, a UK-listed investment group that specializes in music rights acquisition. As the company faces a crucial vote on its future, shareholders and investors eagerly await the outcome. Join us as we explore the challenges faced by Hipgnosis, the potential options on the table, and the implications for the music industry as a whole.

The Story Behind Hipgnosis Songs Fund

Hipgnosis Songs Fund, founded in 2018 by former band manager Merck Mercuriadis, aimed to revolutionize the perception of music rights as an asset class. By leveraging royalties from streaming, radio play, and performances, the fund sought to provide a steady source of income for investors. However, as interest rates rose and debt costs increased, the attractiveness of music royalties diminished compared to other investment options such as bonds.

The Strategic Review and Shareholder Approval

With dissatisfaction brewing among investors due to the significant discount of Hipgnosis’ share price to its net asset value, the company has initiated a strategic review to explore possibilities that can maximize shareholder value. One of the key factors driving this review is the upcoming vote to extend Hipgnosis as an investment fund for another five years. Shareholders will weigh the company’s track record, potential changes in management or advisors, and overall value proposition before making their decision.

Options on the Table

The strategic review aims to identify the most favorable path forward for Hipgnosis Songs Fund. While the board of directors considers multiple options, some of the potential choices include:

  • Changing the investment advisor: In an effort to enhance performance and address investor concerns, Hipgnosis may opt for a change in its investment advisor, currently Hipgnosis Song Management.
  • Company sale: As a crucial vote looms, Hipgnosis could explore the option of selling the entire company. This could potentially attract new investors or allow for a fresh start under new ownership.
  • Amending the management agreement: The board and the investment advisor, Hipgnosis Song Management, have previously clashed over proposed changes to the management agreement. The strategic review may provide an opportunity to revisit this issue and negotiate a revised agreement.

Implications for the Music Industry

Hipgnosis Songs Fund’s strategic review and the potential outcomes have broader implications for the music industry. If the company decides to change its investment advisor or sell the business, it could disrupt the current landscape and pave the way for new players to enter the market. Moreover, the review raises important questions about the viability of music royalties as a long-term investment option in an evolving digital era.

The Road Ahead

As Hipgnosis Songs Fund undergoes its strategic review, it faces a critical juncture that will determine its future trajectory. Shareholders and investors anticipate the outcome of the upcoming vote and the potential changes that may unfold. The music industry, too, will be watching closely as it navigates the challenges of adapting to changing consumer behavior and an increasingly competitive landscape. Stay tuned for updates in the next Publisher’s Digest.

Advised

Additional Piece: The Dynamics of Music Rights Investing

Investing in music rights may seem like an intriguing and potentially lucrative opportunity, but it’s important to consider the dynamics at play before diving in. Let’s explore some unique insights and perspectives on this fascinating aspect of the financial world.

1. Fragmented Market

The music industry is inherently fragmented, with numerous stakeholders involved in the creation, production, and distribution of music. As an investor, understanding the complex web of rights, licenses, and royalties can be challenging. It requires extensive research, due diligence, and a deep understanding of the industry’s dynamics.

2. Evolving Revenue Streams

The rise of digital platforms and streaming services has transformed the revenue streams of musicians and rights holders. While streaming offers increased accessibility and convenience for consumers, it also poses challenges for those looking to monetize their music. Fluctuating royalty rates, licensing agreements, and the impact of piracy are all factors that shape the profitability of music rights investments.

3. Portfolio Diversification

Investing in music rights can be an effective way to diversify a portfolio. By including alternative assets like music royalties, investors can potentially reduce risk and optimize returns. Music rights have the potential to deliver consistent income over the long term, offering a hedge against traditional market fluctuations.

4. Strategic Partnerships

In an industry as dynamic as music, strategic partnerships play a crucial role in maximizing returns. As an investor, aligning with experienced and well-connected advisors can provide access to exclusive deals, valuable industry insights, and a robust network of contacts. Hipgnosis Songs Fund’s collaboration with Hipgnosis Song Management, partly owned by Blackstone, exemplifies the importance of strategic partnerships in the music rights investment landscape.

5. Navigating Market Trends

To succeed in music rights investing, one must stay ahead of market trends and consumer preferences. As technology continues to shape the way we consume music, investors need to assess the potential impact of emerging platforms, shifting demographics, and evolving consumption patterns. Staying abreast of these trends can inform investment decisions and help identify the most promising opportunities.

6. The Value of Intellectual Property

In the music industry, intellectual property (IP) plays a vital role. Investing in music rights essentially means acquiring a stake in valuable IP. The potential for growth lies not only in the current popularity of a song or artist but also in the enduring presence of their work. Successfully identifying undervalued IP and leveraging it for long-term financial gains is a skill that separates savvy investors from the rest.

Summary

In this edition of the Publisher’s Digest, we explored the strategic review initiated by Hipgnosis Songs Fund, a UK-listed investment group focused on music rights acquisition. As the company faces a crucial vote on its future, stakeholders eagerly await the outcome and consider the potential implications for the music industry. Investing in music rights presents unique opportunities and challenges, requiring a deep understanding of the industry’s dynamics and a keen eye for emerging trends. Stay tuned for more updates in the next edition of the Publisher’s Digest.


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Hipgnosis Songs Fund, the troubled UK-listed investment group that buys music rights, has launched a strategic review that will look at options including changing its adviser or even selling the company as a crucial vote on its future looms .

Hipgnosis is fighting to win shareholder approval for its continuation as an investment fund for another five years at next week’s vote. Investors have long been dissatisfied with the group’s share price, which trades at a significant discount to its net asset value.

The company was founded by former band manager Merck Mercuriadis in 2018 with the goal of turning music rights into a mainstream asset class, using royalties from streaming, radio play and performances to provide a steady source of income for investors. However, due to rising interest rates, royalties have become relatively less attractive compared to other asset classes, such as bonds. Debt costs have also risen as interest rates rise.

Some investors objected the price A $440 million music rights portfolio sale is being offered to a sister private fund owned by Blackstone in a bid to match the big discount. Hipgnosis further tested investors’ patience this week when it cut its dividend after warning of a potential covenant breach.

Hipgnosis, which is overseen by an independent board of directors, said on Thursday it was considering options “with the aim of maximizing shareholder value”.

The board said it considered notifying the investment adviser – called Hipgnosis Song Management, which is partly owned by Blackstone and overseen by Mercuriadis – of terminating its deal, but concluded that the move would not have been in the interests of shareholders since it would have led to the default of its debt.

However, a person close to the company said the review will look at options like this, among others, although any change in the investment manager needs lender approval. The review may also conclude that the management company is the best option for the future, they added.

The board of directors and its investment advisor have already clashed over a request to change the terms of the management agreement that would allow Hipgnosis Song Management to buy the company’s portfolio when the contract expires. The Hipgnosis Songs Fund said the manager rejected a proposal to change this agreement.

It also said on Thursday that its lenders have now agreed to amend its revolving credit line, which would mean it would again comply with a fixed charge coverage rate covenant. The London-listed group said on Monday that revenue from its US song catalog had fallen short of expectations, putting the deals at risk.

In a statement, the board said it continues “to recommend voting in favor of the continuation resolution, believing it is in the best interests of shareholders to have a strategic review with the broadest range of options for the company to consider and identify changes who will focus on recovery and delivering greater shareholder value.”

A spokesperson for Hipgnosis Song Management said: “We continue to believe that HSM is uniquely positioned to deliver shareholder value as a result of our deep relationship with the songwriters who make up the catalog and our expertise in song management. We intend to continue to demonstrate this through our actions.”

Tom Treanor, executive director of Asset Value Investors, a top 10 shareholder, described the new review as “desperate stuff and changes nothing in terms of how we intend to vote”.

Treanor intends to vote against the resolution on the continuation of the company, but is also against immediately selling the portfolio or starting a liquidation process.

He said: “I can think of no-one more qualified than this council to carry out a strategic review. The deal remains terrible and voting on it would still set a terrible precedent for future asset sales.”

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